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Friday, June 3, 2011
LINDSAY LOHAN
for Richard Phillips
Una doppia personalità: una donna dalladoppia natura. Lindsay Lohan VS Lindsay Lohan nel cortometraggio del regista epop artist Richard Phillips. 90 secondi: un minuto e mezzo in cui il “ritrattoin pellicola” intitolato Lindsay Lohan,propone una versione inedita dell’attrice : "Lindsayha una presenza fisica ed emotiva incredibile" – dichiara Philips alla GagosianGallery.
Un fascino ambiguo in cui quell’aria da enfantsi rivela una trappola fatale, pericolosa e maledetta che non può che attrarree portare all’inferno. Eva contro Eva si tramuta in Lindsay contro Lindsay incui la diva americana si mostra in tutta la sua ambiguità.
Ed è proprio per questa incredibile sensualità misteriosa che il regista decide di raccontare la bellezzadell’attrice attraverso dei richiami espliciti alla cinematografia ed alle grandi dive del passato attraverso il volto ammaliante di Lindsay. I riferimenti cinematografici a IlDisprezzo di Jean-Luc Godard con Brigitte Bardot a Persona diIgmar Bergman con Liv Ullman, sono chiari, immediati, diretti.
Il primo video-lavoro Lindsay Lohan di Richard Phillips,girato il mese scorso a Malibu in collaborazione con Taylor Steele, è statopresentato alla 54° edizione della Biennale di Venezia. Dal 1 al 5 giugno, l’operad’arte farà parte di Commercial Break al Garage Center for Contemporary colture,punto di riferimento tra arte ed advertising in cui i personaggi della culturapop si trasformano in creazioni artistiche di ampio respiro.
marti
Glamour Marmalade
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LINDSAY LOHAN
for Richard Phillips
(Press Release)
GAGOSIAN GALLERY IS PLEASED TO ANNOUNCE“LINDSAY LOHAN,” THE FIRST SHORT FILM BY ARTIST RICHARD PHILLIPS.THE 90-SECONDMOTION PORTRAIT OF LINDSAY LOHAN, WHICH RICHARD PHILLIPS CREATED INCOLLABORATION WITH THE ACTOR, DRAWS FROM THE CONVENTIONS OF PHILLIPS’ PAINTING,EXPLORING THE LEGACIES OF CLASSICAL PORTRAITURE IN RELATION TO CONTEMPORARYCULTURE’S MEDIATED REPRESENTATIONS. THE FILM DEPICTS LOHAN ENGAGED IN AREFORMULATION OF CLASSIC PERFORMANCE TROPES, WITH REFERENCES INCLUDING THEICONIC IMAGERYOF THE HOMERIC IDENTITY SPLIT OF BRIGITTE BARDOT IN GODARD’S“CONTEMPT” AND THE PSYCHOSEXUAL AMALGAM OF BIBI ANDERSON AND LIV ULMAN ININGMAR BERGMAN’S “PERSONA.” EMPLOYING A TIMELESS HOLLYWOOD SETTING, PHILLIPSREPURPOSES AN ISOLATED MALIBU MANSION AS A PSYCHOLOGICALLY-CHARGED BACKDROP,WEIGHTED WITH THE DESIRE AND SPECULATION OF MODERN CINEMATICPERFORMANCE.THROUGH PHILLIPS’ FRAME, THE INVINCIBLE OPENNESS THAT MAKES LOHANENDLESSLY WATCHABLE ON FILM BECOMES THE IGNITION POINT OF EACH IMAGE—THE PAUSEBEFORE MOVEMENT THAT ALLOWS FOR THE IDENTITIES OF ACTOR AND DIRECTOR TO MELD,WHERE THE REALITIES OF EXPECTATION AND PROJECTED IMAGE ARE CONTRASTED WITHMULTILAYERED IDENTITY. IN THESE FULL-FRAME MOTION PORTRAITS OF LOHAN, PHILLIPSREPUDIATES THE CYNICISM AND EXPLOITATION ASSOCIATED WITH THE ARTISTIC ANDCOMMERCIAL CONVENTION OF THE SCREEN TEST—INTERROGATING ITS MANIPULATIVE ORCOERSIVE UNDERTONES—AND INSTEAD USES THIS FORM TO PRESENT THE ACTOR SEPARATEFROM MEDIA, NARRATIVE, AND CASUAL REPRESENTATION.RICHARD PHILLIPS’ LINDSAYLOHAN WILL BE INCLUDED IN “COMMERCIAL BREAK,” PRESENTED BY THE GARAGE CENTERFOR CONTEMPORARY CULTURE, VENICE, ITALY, JUNE 1 – 5, 2011, CONCURRENT WITH THE54TH
INTERNATIONAL EXHIBITION OF THE VENICE BIENNALE.
marti
Glamour Marmalade
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DIRECTED BY: RICHARD PHILLIPS AND TAYLORSTEELE –
DIRECTOR OF PHOTOGRAPHY: TODD HEATER – COSTUME DESIGNER: ELLENMIROJNICK –
CREATIVE DIRECTOR: DOMINIC SIDHU – ART DIRECTOR: KYRA GRIFFIN –
EDITOR: HAINES HALL – COLOR MASTERING: PASCAL DANGIN FOR BOXMOTION
DIRECTOR OF PHOTOGRAPHY: TODD HEATER – COSTUME DESIGNER: ELLENMIROJNICK –
CREATIVE DIRECTOR: DOMINIC SIDHU – ART DIRECTOR: KYRA GRIFFIN –
EDITOR: HAINES HALL – COLOR MASTERING: PASCAL DANGIN FOR BOXMOTION
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